Hayley Binnekamp is a recent graduate from Sydney Conservatorium, majoring in Classical Voice Performance. Her many interests include musical theatre, opera, piano, dancing and reading. She
has lived in the Middle East for most of her life and returned back to Australia when she was 15. Hayley is passionate about working with children and the performing arts. She previously taught
ballet at Seymour College, assisted with vocal coaching for school musicals, and was the vocal leader at Wesley College.

Aside from performances in countless musical productions, the highlights of her career so far have been performing solo with the Qatar Phillharmonic Orchestra, supporting Hugh Jackman in
his road tour, chorus member in the Nutcracker ballet and NIDA’S production of Orpheus in the Underworld. One of her strengths as a teacher is breaking down complex vocal and musical concepts into simple, practical steps. Whether it’s breath control, resonance, language diction, or performance technique, she can translate advanced ideas into language that children can truly understand and apply. This helps students progress in their vocal abilities and feel empowered rather than overwhelmed.

Hayley is dedicated to helping young singers find their voice, not just technically, but confidently and authentically. With a strong foundation in vocal pedagogy, she can guide students in building healthy techniques while making learning clear, supportive, and enjoyable.

Teacher

Ella’s love of performing, and passion for the Arts first ignited at the age of five when she joyfully took part in several Theatre Bugs Holiday programs; captivating the fun energy, sense of community, and the joy and creativity of performance.

Since then, she has continued to grow her skills and deepen her connection to the Arts throughout her schooling—studying Drama and complementing it with vocal and dance lessons to broaden her versatility as a performer.

Her involvement in the Arts continued as she appeared in Adelaide Fringe productions, gaining valuable experience working with creative teams and bringing characters to life. She also expanded into screen work, taking on supporting roles and extra positions on film and television sets, further fuelling her excitement for storytelling in all its forms.

Now nearing the completion of a Bachelor of Primary Inclusive Education, Ella is eager to share her passion with the next generation. She is committed to creating inclusive, uplifting environments where all children can build confidence, explore new skills and discover their own love for performing—just as she did.

A shy child learns to speak up. A confident one learns to listen. Every rehearsal teaches patience, teamwork and the joy of creative problem-solving. In class, students discover that collaboration isn’t about being the loudest voice, but about helping everyone shine together.

Of course, the arts build resilience too. Mistakes aren’t disasters, they’re simply part of the process. Each “try again” builds persistence; every performance boosts courage. That moment when a student steps forward, heart pounding, and remembers every line? That’s confidence in bloom.

There’s science behind the sparkle as well. Singing and movement release endorphins. Storytelling builds empathy. Memorising choreography strengthens focus and memory. And best of all, class time feels like play; safe, social, and full of laughter.

Parents see stronger communication skills. Teachers notice improved concentration. Kids just know they’re having fun.

At Theatre Bugs, we see it daily: performing arts classes help children find their voice – sometimes literally. And once they do, the world feels a lot bigger and brighter.

Click HERE to visit our website and book your FREE TRIAL today!

For further information you can also call the Theatre Bugs Admin Team on (08) 8332 1228 or email admin@theatrebugs.com.au

]]> https://adelaidetheatreacademy.com.au/term-4-is-nearly-here/ Tue, 07 Oct 2025 04:20:00 +0000 https://adelaidetheatreacademy.com.au/?p=219846 It’s a big, wonderful buzz at Theatre Bugs as Term 4 classes begin next week!

Great friends are back together, and new students are being warmly welcomed. It’s a happy and exciting time — especially because this is a performance term! That means every student will present either an in-class show for family and friends at the end of the term or have the opportunity be play a part in our great big End of Year production (think pirates!) at the Arts Theatre.

Click HERE to visit our website and book your FREE TRIAL today!

For further information you can also call the Theatre Bugs Admin Team on (08) 8332 1228 or email admin@theatrebugs.com.au

SE Staffing is Offering Paid Work for Happy Santa’s

Are you ready to step into Santa’s boots?

Bring the Magic of Christmas to Life! As our Santa Claus Performer, you’ll be the star of a premium retail outlet Christmas experience – delighting families, posing for photos, and creating a magical occasion that children will never forget.

Wanted – Individuals that are able to embody the warm, believable Santa character – complete with a hearty laugh, gentle demeanour, and twinkle in your eye  and those great with children and families – friendly, patient, and genuinely enthusiastic about spreading Christmas joy.

Responsibilities – Consistently portray Santa Claus with warmth, charm, and authenticity. Engage warmly with children and families, delivering a premium, magical experience for every guest – listening, laughing, and posing for photos with warmth and care. Collaborate with Santa’s Helpers and photographers for smooth and premium photo sessions.

Shift Roster/Typical hours:

Location: Adelaide Rundle Mall

Pay: $55 an hour plus super

Roster runs over 7 days! Flexible with half or full day shifts available. Regular roster of shifts from 8th November through to the 24th December.

Contact details:

admin@christmasstaffing.com.au 

You can also apply through this link – https://au.indeed.com/viewjob?jk=189677fbfbe707e2&from=shareddesktop_copy but email mentioning Theatre Bugs is best!

Ho! Ho! Ho!

They are passionate about improving disability accommodations within the South Australian arts sector, drawing from personal experience to advocate for structural change.

Currently studying Creative Writing and Sonic Arts at the University of Adelaide, Amelia brings both craft and care to every project, creating emotionally resonant work across disciplines while pushing for systemic equity in creative spaces.

Film Bugs & Adelaide Film Academy Workshops (Ages 8–11 & 12+)

Give your young storyteller the ultimate school-holiday adventure! In this four-day workshop, kids team up to plan, shoot and shape their own scenes while learning real filmmaking skills—guided by industry professionals from Scarlett Media, in partnership with Adelaide Film Academy.

What they’ll learn (and love):

• Sound & acting (voice, performance, mic technique)
• Directing & cinematography (framing, movement, visual storytelling)
• Scriptwriting & casting (turn ideas into action)
• Editing (putting it all together with professional software)

When & who:

• Week 1: Tue 30 Sept – Fri 3 Oct 2025
• Week 2: Tue 7 Oct – Fri 10 Oct 2025
• Daily: 9:00 am – 3:00 pm (drop-off from 8:30 am)
• Streams: 8–11 years and 12+ years

Where: Mitcham Community Centre — 242 Belair Rd, Lower Mitcham SA 5062
Price: $407 per child

Why parents & grandparents love it:

• Creative learning that builds confidence, teamwork and problem-solving
• Screen time with purpose—kids learn how movies are really made
• Safe, structured days with friendly professionals and high-quality equipment

Spots are limited and fill fast—enrol now:
CLICK HERE TO BOOK

Make their holidays colourful, creative and screen-free! Our Mini Bugs sessions are joyful 3-hour adventures packed with craft, stories, dress-ups, dance, drama, music and imaginative play—perfect for curious 3–7 year olds (and perfect for carers who’d love a quiet cuppa).

Spots are selling quickly —book early.

Upcoming Mini Bugs sessions (3 hours):

• Mon 29 September 2025 — Under the Rainbow!8:45 am – 11:45 am

• Tue 7 October 2025 — Clowning Around8:45 am – 11:45 am

Price: $72.50 per child, per session

If the Morning is full, we may open an afternoon session (1:00 – 4:00 pm).Pop us a note at admin@theatrebugs.com.au to register your interest.

Book in Now Mini Bugs Holiday Programs (Ages 3–7) — CLICK HERE

Self-esteem grows because effort is visible. Lines are learnt, choices are tried, mistakes are made, and the show goes on. Applause helps, sure. What matters is hearing, “I did that.” Teachers celebrate small wins and give practical feedback, so kids own their progress. They stand taller.

Resilience shows up behind the scenes. Scripts change. Partners are absent. A prop breaks. Children adapt, problem-solve, and try again without fear of “getting it wrong.” They learn that nerves are normal and can be managed. That lesson follows them to school, sport, even friendships.

It’s also genuinely fun. Games warm up bodies and brains. Imagination runs wild as pirates, scientists, and superheroes share the same classroom. Laughter loosens perfectionism. New friendships form quickly because ensembles rely on trust.

For Mums weighing options, theatre is a double win. Your child gains social courage and emotional stamina while doing something they actually look forward to. No battles to get out the door. Just a pack of enthusiastic kids making a real community every week. And when performance day arrives, you’ll see a young person who knows how to speak up, bounce back, and enjoy the moment. That confidence lingers long after the curtain falls.

For more information and to book a FREE TRIAL at Theatre Bugs, call our Admin Team on (08) 8332 1228 or visit our website at https://theatrebugs.com.au/

]]> https://adelaidetheatreacademy.com.au/fringe-2026-auditions-now-open/ Wed, 09 Jul 2025 07:14:12 +0000 https://adelaidetheatreacademy.com.au/?p=219813 AUDITIONS NOW OPEN FOR FRINGE 2026!

About Theatre Bugs and Adelaide Theatre Academy

Theatre Bugs & Adelaide Theatre Academy is South Australia’s largest performing arts school for children. Throughout the last 25 years more than 30,000 students have benefited from our diverse range of classes, workshops, and production activities. We are dedicated to producing high quality stage productions and training in the performing arts for Adelaide’s youth. Our recent productions Little Shop Of Horrors, Oliver! Mary Poppins, Chitty Chitty Bang Bang, The Wizard of OZ and Charlie and the Chocolate Factory received critical acclaim and award nominations from the Adelaide Theatre Guide and the Theatre Association of South Australia.

Following the outstanding success of our 2025 production of Charlie and the Chocolate Factory, we are now inviting actors, dancers, and singers aged 10–21 to audition for Adelaide Theatre Academy’s 2026 Fringe production of…

Audition for the Magic – Peter Pan Takes Flight at the 2026 Adelaide Fringe!

Do you dream of flying through the stars, battling pirates, and dancing with fairies? This is your chance to step into the magical world of Peter Pan – the classic 1954 Broadway musical coming to life at the 2026 Adelaide Fringe.

We’re looking for enthusiastic, talented young performers 10-21yrs of age at the time of auditions, to join the cast of this unforgettable production. Whether you’ve been on stage before or you’re ready for your first big adventure, Peter Pan is packed with excitement, laughter, and heart. With iconic songs like “I’m Flying,” “I Won’t Grow Up,” and “Never Never Land,” this show has roles for all ages, including Lost Boys, Darling children, pirates, mermaids, fairies, and more.

This bold new staging will blend classic charm with high-energy storytelling, aerial effects, and joyful ensemble work. It’s a chance to build confidence, make new friends, and shine under the Fringe spotlight.

If you love to sing, act, dance or simply want to be part of something magical – we’d love to see you at auditions.

Don’t just watch the magic – be part of it. Neverland is calling!

CREATIVE LEADERSHIP TEAM

DIRECTOR

HANNNAH SMITH

(SHE/HER)

Hannah Smith is an emerging director and producer based in Adelaide. Growing up in Murray Bridge, she was driven to create opportunities within the local theatre community, founding her own production company at fourteen and producing multiple independent productions.

Her passion for theatre led her to pursue further studies in Technical Production at the Adelaide College of the Arts, and a Bachelor of Performance (Honours) at Flinders University in Directing. Alongside her studies, Hannah teaches Performance Academy at Adelaide Theatre Academy and is the Youth Theatre Coordinator at Murray Bridge Players and Singers Inc.

Hannah has contributed to major arts festivals, including the Adelaide Fringe and the Festival of Ideas. Her directing credits include Bumming with Jane (2020/2021), The Book of Everything (2023), Jumpers for Goalposts (2023), Dance Nation (2024/2025), First Love Is the Revolution (2025), FROZEN Jr (2025) and Spongebob Jr (2025). Additionally, she has directed short films, including King. (2022), CRUSH (2023), SYNERGY (2023), and SUPERORDINARY (2024). She has undertaken a secondment with State Theatre Company of South Australia on Eureka Day, Dir. Rosalba Clemente (2021), Kimberly Akimbo Dir. Mitchell Butel and has assisted on Flinders University productions, including Sweet Road, Dir. Christopher Hurrell (2022), Coming of Age in Australia, Dir. Wayne Harrison (2022), and Love and Information, Dir. Tiffany Lyndall-Knight (2022).

In 2023, her production company won the Adelaide Fringe Holden Street Theatres Award for its devised work BIMBO.

CHOREOGRAPHER

Emma Dalton

(SHE/HER)

Emma has a rich background in competitive dance and musical theatre and uses these skills to inspire young performers. She began her journey in the performing arts at a young age, competing in a variety of dance styles and performing in many musical theatre productions.

Passionate about teaching, Emma thrives on nurturing confidence, creativity, and a love for the arts in her students. She is dedicated to creating a positive and encouraging environment where young performers can explore their potential, refine their skills, and discover their unique artistic voice.

At Theatre Bugs/Adelaide Theatre Academy, Emma is proud to share her knowledge and enthusiasm, helping students grow not only as performers but also as confident, expressive individuals. She finds immense joy in guiding the next generation of artists to achieve their dreams and embrace the magic of performing.

MUSICAL DIRECTOR

Amelia Rooney

(SHE/THEY)

Amelia is an autistic composer and writer working across theatre and film in Adelaide. Their practice blends ambient and neoclassical soundscapes with strong narrative sensitivity. With a background in classical composition, Amelia now focuses on collaborative projects that centre accessibility and inclusivity.

They are passionate about improving disability accommodations within the South Australian arts sector, drawing from personal experience to advocate for structural change.

Currently studying Creative Writing and Sonic Arts at the University of Adelaide, Amelia brings both craft and care to every project, creating emotionally resonant work across disciplines while pushing for systemic equity in creative spaces.

Audition details

When booking your audition

Please note you are only required to book one audition time for a role in the show, PETER PAN If you choose to audition for a lead/minor role, you will automatically be considered for ensemble if you are not offered a character role.

Please only book into an ensemble audition time if you wish to be considered for ensemble only.

A “How to Audition” information pack will be sent to you after you have registered for an audition. Please note that this information pack will be sent to your registered email address on or after Monday July 14^th.

AUDITION DETAILS

WHEN

Friday August 8^th – Sunday 10^th August

(bookings essential-CLICK HERE)

WHERE

Theatre Bugs Hall,

79 Beulah Rd, Norwood

Character audition information

Character Roles

Wendy Darling

John Darling

Liza (maid)

Michael Darling

Nana (Newfoundland Dog)

Mrs. Darling

Mr Darling

Tinkerbell

Peter Pan

Captain Hook

Smee

Wendy (as a grown-up lady)

Jane (as grown-up Wendy’s daughter)

Lost Boys:

Slightly

Tootles

Curly

Nibs

1^st Twin

2^nd Twin

Pirates

Starkey

Cecco

Noodler

Mullins

Jukes

Linville

Holland

Marasco

Kargo

Tookoyan

Indians

Tiger Lily

The Lion (Indian Double)

The Kangaroo (Indian Double)

The Ostrich (Indian Double)

Trees (Indian Double)

REHEARSALS

Rehearsal Commitments

Pre-Xmas Rehearsals

Sunday, 30^th November 9am-4pm

First read through and workshop followed by welcome drinks for cast/parents.

Rehearsal week during January 2026 school holidays:

(TBC)

Sunday 4^th January – Thursday 8^th January (9am – 4pm)

Sunday Rehearsals (9am-4pm) at 79 Beulah Rd, Norwood.

Sunday 11^th January

Sunday 18^th January

Sunday 25^th January (Please note – this is a long weekend, but you will still be required to attend rehearsal)

Sunday 1^st February

Sunday 8^th February

Sunday 15^th February

Sunday 22^nd February

Production Week at the Norwood Concert Hall:

• Thursday February 26 (Cast 1 from 12pm – 9pm)
• Friday February 27 (Cast 2 from 9am – 6pm)

Performance Dates

• Friday 27^th Feb
• Saturday 28^th Feb
• Sunday 1^st March

Production Fees

The production fee for Peter Pan includes:

• Over 90 hours of performing arts training
• Peter Pan t-shirt.
• Adelaide Theatre Academy rehearsal bag filled with script, song words, water bottle, treats and stationery item
• Costume hire (you will only need to supply basic items such as dance shoes, stockings, undergarments).
• Welcome drinks and nibbles for parents and
• An incredible and unforgettable performance

The production fee for Peter Pan is:

• Instalment 1: $265 payable by Friday 4^th September 2025
• Instalment 2: $320 payable by Friday 7^th November 2025
• ( a 10% discount is offered to an additional sibling)

Why do youth theatre companies charge a fee to be involved in large scale stage productions?

The fees enable producers to cover the costs of directors, choreographers, professional theatre hire, technical requirements and staffing, costumes, sets and much more. Ticket sales and/or presenter fees alone would not cover the expenses which are necessary to provide the outstanding production experience which comes with performing in a major venue such as the Norwood Concert Hall.

BOOK YOUR AUDITION NOW! CLICK HERE

Or visiting: https://www.trybooking.com/CZHLB

For further information, email admin@theatrebugs.com.au